Films We Like


Powers of Ten (1977)

Powers of Ten takes us on an adventure in magnitudes. Starting at a picnic by the lakeside in Chicago, this famous film transports us to the outer edges of the universe. Every ten seconds we view the starting point from ten times farther out until our own galaxy is visible only a s a speck of light among many others. Returning to Earth with breathtaking speed, we move inward- into the hand of the sleeping picnicker- with ten times more magnification every ten seconds. Our journey ends inside a proton of a carbon atom within a DNA molecule in a white blood cell.


Powers of Ten

Fritz Lang

Metropolis (1927)

Metropolis is a 1927 German expressionist epic science-fiction drama film directed by Fritz Lang. It is regarded as a pioneering work of the science-fiction genre in movies, being among the first feature-length movies of the genre. Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city's ruler, and Maria, a poor worker, to overcome the vast gulf separating the classes of their city. Filming took place in 1925 at a cost of approximately five million Reichsmarks. The art direction draws influence from Bauhaus, Cubist and Futurist design.



Autopsy on a Dream

Made in 1968 and directed by John Weiley, this film documents the controversy surrounding the creation of the Sydney Opera House. This is an especially inspiring story for designers, engineers, and whomever seeks to achieve an amazing project.


This is Marshall McLuhan: The Medium is the Message

Fifty year old documentary looking at the popular concerns of the 1960s about the electric age: technological change accelerating too quickly, automation taking jobs, who owns your personal data, loss of privacy - sound familiar?

And here is a list of all McLuhan audiovisual material archived on YouTube in reverse chronological order.



'Future Shock' is a documentary film based on the book written in 1970 by sociologist and futurist Alvin Toffler. Released in 1972, with a cigar-chomping Orson Welles as on-screen narrator, this piece of futurism is darkly dystopian and oozing techno-paranoia.